





































Your Custom Text Here
“Nothing is positive about art except that it is a word.”
Willem de Kooning
•••••••••••••••••••••••••••••••••••
"I make films because I have not learned anything else and I know I can do it to a certain degree…and it is my duty because this might be the inner chronicle of what we are and we have to articulate ourselves, otherwise we would be cows in the field.”
Werner Herzog
•••••••••••••••••••••••••••••••••••
"The radical act of [the] techno rebels was that they entered an inhuman network of machinery and found a voice within it….nothing less than the human spirit, somewhere in a vast, inscrutable universe, daring to exist.”
Shuja Haider, Detroit Techno, New York Magazine, 2017
•••••••••••••••••••••••••••••••••••
“The Luddites’ mistake was that they failed to distinguish between machinery and its employment by capital, and to direct their attacks, not against the material instruments of production, but against the mode in which they were used.”
Karl Marx, Das Kapital, 1867
•••••••••••••••••••••••••••••••••••
Although all forms are eternal, the question remains: what forms, and it is easy to become distracted in pondering whether a rhombus or milk bottle, meso-morph
Contains divinity if divinity is to be found in that which never changes, like a letter upon reflection, sheet, deck, thought, pile, crumpet, bog
Seen through the wrong end of the telescope, as if from a great height, or glimpsed from a speeding train for a second, recognized and abandoned as quickly as it was
Forgotten by the train that brought it, ploughing on through the night, pushing buckets of air, sending sounds out like handcuffs to the phenomenal world
Which, through remaining unchanged and thereby uncontingent, resists the embrace of time upon which all notion of the possibility of transformation depends
Tim Atkins, Written Never Meaning
•••••••••••••••••••••••••••••••••••
“Technology is a way of revealing.”
Martin Heidegger, The Question Concerning Technology,Vorträge und Aufsätze, 1954
•••••••••••••••••••••••••••••••••••
“’Phase’ is a concept that helps us see the variable synchronicity of art and technology. Bach imagined music beyond what his instruments could play. Now we have instruments that can play beyond what can be imagined.”
Gene Youngblood
•••••••••••••••••••••••••••••••••••
"Artists in the modern period were driven by a radical and forward thinking approach, ideas that included technological positivity and a grand narrative of progress. The reaction against this mindset came to be known as postmodernism."
•••••••••••••••••••••••••••••••••••
"Postmodernism is Modernism with the optimism taken out."
Robert Hewison
•••••••••••••••••••••••••••••••••••
"I am a cowboy in the boat of Ra"
Ishmael Reed
•••••••••••••••••••••••••••••••••••
“TECHNÉ is an ancient Greek epistemological term that integrated beauty, art, expertise, technical knowledge, skill and industry: In Aristotle's time, artistic creativity and technology were not divided.”
Victor Burgin
•••••••••••••••••••••••••••••••••••
“Poetic Logic’ is the sensuous apprehension of what we do not yet understand in the presence of reality.”
Frederick Sommer
•••••••••••••••••••••••••••••••••••
"Collage was a major turning point in the whole evolution of modernist art in this century."
Clement Greenburg, 1959 •
•••••••••••••••••••••••••••••••••••
"The word "gesture", originates in the Latin "gerere" (to carry, conduct oneself, act) becoming in medieval Latin "gestura" (bodily movement conveying a particular message). The study of the origins of both spoken and written language find the gesture, as an abstract, symbolic form, a precursor to speech and writing. In the visual arts, the word "gestural" refers to the artist's hand and bodily movement as recorded in paint or surface modulation. This gestural evidence is like a signature, as unique for each artist as a thumb print or DNA sample.
As an artist creating work with computers, I find myself operating in a machine/human hybrid. This of course is nothing new, but "gesture" becomes an interesting notion in the mix of electronic imaging and mathematics. One might say that an algorithm is as profoundly individual, in a sense as gestural, as the swelling volumes and sensuous rhythms of a freehand line."
MH
•••••••••••••••••••••••••••••••••••
“He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings—all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end.” —The Town and the City- Jack Kerouac
•••••••••••••••••••••••••••••••••••
“Nothing is positive about art except that it is a word.”
Willem de Kooning
•••••••••••••••••••••••••••••••••••
"I make films because I have not learned anything else and I know I can do it to a certain degree…and it is my duty because this might be the inner chronicle of what we are and we have to articulate ourselves, otherwise we would be cows in the field.”
Werner Herzog
•••••••••••••••••••••••••••••••••••
"The radical act of [the] techno rebels was that they entered an inhuman network of machinery and found a voice within it….nothing less than the human spirit, somewhere in a vast, inscrutable universe, daring to exist.”
Shuja Haider, Detroit Techno, New York Magazine, 2017
•••••••••••••••••••••••••••••••••••
“The Luddites’ mistake was that they failed to distinguish between machinery and its employment by capital, and to direct their attacks, not against the material instruments of production, but against the mode in which they were used.”
Karl Marx, Das Kapital, 1867
•••••••••••••••••••••••••••••••••••
Although all forms are eternal, the question remains: what forms, and it is easy to become distracted in pondering whether a rhombus or milk bottle, meso-morph
Contains divinity if divinity is to be found in that which never changes, like a letter upon reflection, sheet, deck, thought, pile, crumpet, bog
Seen through the wrong end of the telescope, as if from a great height, or glimpsed from a speeding train for a second, recognized and abandoned as quickly as it was
Forgotten by the train that brought it, ploughing on through the night, pushing buckets of air, sending sounds out like handcuffs to the phenomenal world
Which, through remaining unchanged and thereby uncontingent, resists the embrace of time upon which all notion of the possibility of transformation depends
Tim Atkins, Written Never Meaning
•••••••••••••••••••••••••••••••••••
“Technology is a way of revealing.”
Martin Heidegger, The Question Concerning Technology,Vorträge und Aufsätze, 1954
•••••••••••••••••••••••••••••••••••
“’Phase’ is a concept that helps us see the variable synchronicity of art and technology. Bach imagined music beyond what his instruments could play. Now we have instruments that can play beyond what can be imagined.”
Gene Youngblood
•••••••••••••••••••••••••••••••••••
"Artists in the modern period were driven by a radical and forward thinking approach, ideas that included technological positivity and a grand narrative of progress. The reaction against this mindset came to be known as postmodernism."
•••••••••••••••••••••••••••••••••••
"Postmodernism is Modernism with the optimism taken out."
Robert Hewison
•••••••••••••••••••••••••••••••••••
"I am a cowboy in the boat of Ra"
Ishmael Reed
•••••••••••••••••••••••••••••••••••
“TECHNÉ is an ancient Greek epistemological term that integrated beauty, art, expertise, technical knowledge, skill and industry: In Aristotle's time, artistic creativity and technology were not divided.”
Victor Burgin
•••••••••••••••••••••••••••••••••••
“Poetic Logic’ is the sensuous apprehension of what we do not yet understand in the presence of reality.”
Frederick Sommer
•••••••••••••••••••••••••••••••••••
"Collage was a major turning point in the whole evolution of modernist art in this century."
Clement Greenburg, 1959 •
•••••••••••••••••••••••••••••••••••
"The word "gesture", originates in the Latin "gerere" (to carry, conduct oneself, act) becoming in medieval Latin "gestura" (bodily movement conveying a particular message). The study of the origins of both spoken and written language find the gesture, as an abstract, symbolic form, a precursor to speech and writing. In the visual arts, the word "gestural" refers to the artist's hand and bodily movement as recorded in paint or surface modulation. This gestural evidence is like a signature, as unique for each artist as a thumb print or DNA sample.
As an artist creating work with computers, I find myself operating in a machine/human hybrid. This of course is nothing new, but "gesture" becomes an interesting notion in the mix of electronic imaging and mathematics. One might say that an algorithm is as profoundly individual, in a sense as gestural, as the swelling volumes and sensuous rhythms of a freehand line."
MH
•••••••••••••••••••••••••••••••••••
“He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings—all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end.” —The Town and the City- Jack Kerouac
•••••••••••••••••••••••••••••••••••
• Mathematical form generation •
• Non-ojective Painters : Mark Tobey •
• Non-ojective Painters : Jackson Pollack •
• Non-ojective Painters : Franz Kline •
• Robert Rauschenburg: Photo montage/screen printing/multiples •
•Ernst Haeckel, 1834-1919, German biologist, naturalist, philosopher, physician, professor, marine biologist, and artist •
• DADA: Chance...Subversion...Risk...Absurdity •
• DADA: Performance...Scripting...Programming •
• Gioanni Battista Piranesi: Space as a mathematical abstraction 1720-1788 •
• Gioanni Battista Piranesi: Volumetric layering, 1720-1788 •
• Russian Constructivism: Art as functional, social and political using new mediums (Radio, Film, Printing, Photography), industrial methohds, technologies & distribution •
• Russian Constructivism: Art for the masses..The end of art as elite product •
A number of Constructivists would teach or lecture at the Bauhaus schools in Germany, then escape to the U.S. with the rise of Facism in 1930's Europe.
- Laszlo Moholy-Nagy- New Bauhaus , Chicago
- György Kepes- Center for Advanced Visual Studies @MIT
- Joseph Albers @ BlackMountain College, N.C.
• 1st Geodesic Dome, Designed in 1923 by German engineer. Walther Bauersfeld, 1879 – 1959 •
• Kenneth Snelson developing the "tensegrity" system at Black Mountain College while studying with Joseph Albers and Buckminster Fuller, late 1940's •
• Kenneth Snelson in his studio, 1950's •
• James Whitney 1957: Early non-objective computer animation •
• Expanded Cinema/Visionary Film 1960's •
• Steina and Woody Vasulka: Video made with self-engineered image synthesizers, 1970's •
• The Portapak Video Recorder/Camera and the Radical Software movement it birthed •
• René Descartes, philosopher, mathematician, and scientist. Cartesian space is defined by the loci of distributed XYZ coordinates•
• Three-dimensional form description in computer imaging and film •
• Computers generate 3D images by representing images as data points in XYZ space. Martin Newell at the University of Utah used a teapot as a reference model in 1975 to create a dataset of mathematical coordinates. From that he generated a 3D “wire frame” defining the teapot’s shape, adding a surface “skin.” •
• The LEONARDO Book Series from MIT Press •
• SIGGRAPH: Largest computer graphics conference in the world •
SIGGRAPH: Annual Computer Art Exhibit
SIGGRAPH: Annual Computer Art Exhibit
SIGGRAPH: Annual Computer Art Exhibit
SIGGRAPH: Annual Computer Art Exhibit
• Medical imaging technologies •
• Surveillance technologies •
• Data/Information Graphics •
• Scientific Research Instruments •
• Generative Modeling •